Current and future schedule

Vernissage multiple à Méduse
Vernissage multiple à Méduse

Vernissage multiple à Méduse

Manif d'art

Since 2020, the Biennale de Québec's little brother is the artistic winter break of choice. Jardin d'hiver is an artistic event specially thought out and designed to amaze little ones and grown-ups. During the winter period, let yourself be surprised by unusual works that will amaze you all over Quebec City. Espace 400e will also host from March 3 to April 9 the first central exhibition of Jardin d'hiver with a collective exhibition of the artists and a solo exhibition of Quebec collective Pierre&Marie.


𝙀𝙣 𝙫𝙚𝙧𝙩 𝙚𝙩 𝙘𝙤𝙣𝙩𝙧𝙚 𝙩𝙤𝙪𝙨 | 𝗘𝗻𝗴𝗿𝗮𝗺𝗺𝗲

For its 50th anniversary, Engramme presents a retrospective exhibition of the last 3 years of cultural mediations. Engramme made its debuts in cultural mediation world7 years ago. This exhibition is an opportunity to present to the general public the great creativity of their mediator/artists and their partners.

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Bande Vidéo / Oeil de Poisson
© Mathieu Valade
Bande Vidéo / Oeil de Poisson
©Sarah L’Hérault

Bande Vidéo / Oeil de Poisson

La Bande Vidéo

𝙣𝙤𝙘𝙩𝙪𝙧𝙣𝙚 | 𝗠𝗮𝘁𝗵𝗶𝗲𝘂 𝗩𝗮𝗹𝗮𝗱𝗲

nocturne is a video installation that invites the public into the heart the forest. This wandering in the undergrowth, captured in a panoramic camera movement, is dissected into multiple vertical monitors arranged on an imposing circular structure whose middle becomes a place of tranquility, contemplation and mystery.

L'Œil de Poisson

𝙇'Œ𝙞𝙡 𝙙𝙚 𝙋𝙤𝙞𝙨𝙨𝙤𝙣| 𝗝𝗼𝘀𝗵𝘂𝗮 𝗦𝗰𝗵𝘄𝗲𝗯𝗲𝗹, 𝗲𝘅𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻 𝗰𝗼𝗺𝗺𝗶𝘀𝗮𝗿𝗶𝗲́𝗲 𝗽𝗮𝗿 𝗗𝗼𝗺𝗶𝗻𝗶𝗾𝘂𝗲 𝗦𝗶𝗿𝗼𝗶𝘀-𝗥𝗼𝘂𝗹𝗲𝗮𝘂

"As part of L'Œil de Poisson, Schwebel proposes to dislodge and relocate the gallery through alterations to its space. The work thus accentuates the particularities of the place, highlights its specificities, reveals its uniqueness and perverts, in short, the presumed anonymity of the famous white cube. What makes, in other contexts, the strength of the gallery becomes its flaw: it is like all the others, singular."

𝙉𝙤𝙪𝙨 𝙣'𝙖𝙪𝙧𝙞𝙤𝙣𝙨 𝙥𝙖𝙨 𝙫𝙤𝙪𝙡𝙪 𝙦𝙪𝙚 𝙣𝙤𝙨 𝙚𝙣𝙛𝙖𝙣𝙩𝙨 𝙘𝙤𝙣𝙩𝙞𝙣𝙪𝙚𝙣𝙩 𝙖𝙥𝙧𝙚̀𝙨 𝙣𝙤𝙪𝙨 𝙙'𝙚̂𝙩𝙧𝙚 𝙘𝙤𝙢𝙢𝙖𝙣𝙙𝙚́𝙨 𝙥𝙖𝙧 𝙘𝙚𝙨 𝙧𝙚́𝙨𝙞𝙙𝙪𝙨 𝙙'𝙖𝙗𝙖𝙣𝙙𝙤𝙣𝙣𝙚𝙢𝙚𝙣𝙩 𝙙𝙚𝙨 𝙥𝙡𝙪𝙨 𝙖𝙣𝙘𝙞𝙚𝙣𝙣𝙚𝙨 𝙘𝙖𝙥𝙞𝙩𝙪𝙡𝙖𝙩𝙞𝙤𝙣𝙨 | 𝗦𝗮𝗿𝗮𝗵 𝗟'𝗛𝗲́𝗿𝗮𝘂𝗹𝘁

Sarah L'Hérault roams the streets of Quebec in search of small abandoned debris, less than 15 cm in diameter and made of all kinds of industrial materials (such as plastic, metal or even rubber). The artist picks them and selects the most interesting ones according to the particular colors, textures and shapes of the broken objects. Fascinated by the post-industrial era, L'Hérault is not interested in quality materials. She sees these artifacts of human society as symbols and stories, which she shares through her practice. The exhibition is presented from February 24 to March 26.

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©Sébastien Cliche



𝙇𝙖 𝙩𝙚𝙢𝙥𝙚́𝙧𝙖𝙩𝙪𝙧𝙚 𝙙𝙚 𝙡'𝙞𝙣𝙛𝙤𝙧𝙢𝙖𝙩𝙞𝙤𝙣 | 𝗦𝗲́𝗯𝗮𝘀𝘁𝗶𝗲𝗻 𝗖𝗹𝗶𝗰𝗵𝗲

A metaphor for both our overloaded virtual environments and our subconscious, Sébastien Cliche's installation questions what can happen to datas when they become corrupted, even inaccessible. In a device resembling an information processing center, obsolete medias are put to the test. While the information seems fatally subject to the same degradation as its support, the ungoing attempts at recovery also point to new possibilites generated by the material itself. The exhibition is presented from February 24 to March 26.

𝙇𝙚 𝙫𝙞𝙙𝙚 𝙚𝙣𝙩𝙧𝙚 𝙣𝙤𝙨 𝙘𝙤𝙧𝙥𝙨 | 𝗗𝗼𝗺𝗶𝗻𝗶𝗾𝘂𝗲 𝗥𝗲𝘆

Through collage or performative actions, the artist cuts out the contours of her body, claiming this space that belongs to her. Deconstructing one's own image becomes an opportunity to renegotiate the universal figures of mother and child, often represented in the history of art, and to turn them into an open and contemporary narrative fiction. By focusing on the void between bodies, and therefore also on the bodily and psychic boundaries that exist between them, the exhibition takes a look not only at individuals, but above all at the movements and fluctuations that exist within their relationship. The exhibition is presented from February 24 to March 26.

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